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Ted Wiggins (Zac Efron), an idealistic 12-year-old boy, lives in "Thneed-Ville", a walled city that, aside from the citizens, is completely artificial: everything is made of plastic, metal, or synthetics.
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The synopsis below may give away important plot points. But when Ted tries to go out, O'Hare who knows what Ted is doing-trying to find a tree, tells him to stop it cause it could ruin O'Hare's business. He then stops talking and tells Ted to come back tomorrow. So he chops a tree down but then a creature who calls himself The Lorax who says he speaks for the trees and all the creature s in the forest, and he says that what he is doing-chopping down a tree is wrong. And when he comes across a forest with trees with the most beautiful leaves, he thinks this is it. So he set out to find the material he needs to make it. He asks The Once-ler what happened to the trees, he tells Ted that it began when he wanted to create something he called Thneed. So he talks to his mother and grand mother about it and his grandmother tells him to seek out someone called The Once-ler, which he does. And thinking that if he can find it will win her affections. Ted, a young man who likes a girl named Audrey who wants to see a real tree. And the air is provided by the O'Hare Corporation for a price.
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Maybe the time has come for some Ned Ludd to rampage through the studios, throwing laptops out of the window and forcing animators to do some freehand drawing and make up the technical shortfall with some exceptionally good scripts.- Kenneth Chisholm the town of Thneedville, a walled city, everything is artificial even the trees. There are no complaints to make about the technical work here: it looks bright and clean and sharp. And in any case, this plasticky, production-line multiplex product does not make a compelling argument because it looks so very unnatural. Perhaps new generations of young cinemagoers will be encouraged to think that this kind of doe-eyed concern will be enough to protect nature. The Lorax never does anything much but raise his great cute bewhiskered face and look accusingly. The young romance subplot is perfunctory, and the basic anti-logging message contrives to be both didactic and pious, while being at the same time mystifyingly impotent.
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But it isn't: there is something dead inside it. The film has a surface sheen of plausibility: it looks and sounds as if it should be as charming as witty as some of the terrific animated movies from Pixar and Dreamworks that we've been spoiled by over the last decade or so. The distinctive jaunty rhyme-scheme of the children's book is abandoned, except for The Lorax's introduction. Peter Bradshaw, Catherine Shoard and Henry Barnes review The Lorax .uk There's another little guy called the Lorax (voiced by Danny DeVito), who is on the side of trees and nature, but can apparently do nothing to help, other than address our better natures.
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The basic finger-wagging eco-tale is expanded into a cutesy, over-extended movie about a boy who visits a creepy old fellow called The Once-ler who destroyed all the trees thereabouts: the name perhaps alludes to rapacious logging industries which use up resources once and for ever, with no sustainability. It is a fantastically boring, soulless animation that could have been written by a computer programme, an animationbot. In its insidious way, The Lorax is more infuriating, more exasperating and more objectionable than any of these. In that desperately well-meaning film, Penn was having a bit of a "Jerry Lewis" moment. A mention perhaps should go to the drama I Am Sam (2001) with Sean Penn giving a highly mannered performance as Sam, a grown man with learning difficulties who likes Dr Seuss's book Green Eggs and Ham. T he Dr Seuss children's books have been adapted by Hollywood before – How the Grinch Stole Christmas (2000) and Dr Seuss' The Cat in the Hat (2003) were live-action versions with frantically zany and conceited lead performances from Jim Carrey and Mike Myers respectively both films were pretty well unwatchable.